{"id":11867,"date":"2020-01-21T11:30:00","date_gmt":"2020-01-21T11:30:00","guid":{"rendered":"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/"},"modified":"2020-01-27T09:14:43","modified_gmt":"2020-01-27T09:14:43","slug":"iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana","status":"publish","type":"post","link":"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/","title":{"rendered":"The church of Our Lady of the Assumption in Ordo\u00f1ana"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243; background_color_gradient_direction=&#8221;155deg&#8221; custom_margin=&#8221;||54px|&#8221; custom_padding=&#8221;0px|0|38px|0px|false|false&#8221; filter_invert=&#8221;1%&#8221; top_divider_color=&#8221;#efefef&#8221; top_divider_height=&#8221;94px&#8221; top_divider_flip=&#8221;vertical&#8221; border_color_all=&#8221;#d1d1d1&#8243; box_shadow_style=&#8221;preset1&#8243; box_shadow_vertical=&#8221;14px&#8221; 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text_orientation=&#8221;center&#8221;]<span style=\"font-size: x-large;\"><strong><span style=\"color: #ffffff;\"><em>Ordo\u00f1ana -The church of Our Lady of the Assumption<\/em><\/span><\/strong><\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;51px|0px|10px|0px|false|false&#8221; top_divider_style=&#8221;mountains2&#8243; top_divider_color=&#8221;#d6d6d6&#8243; top_divider_height=&#8221;99px&#8221; bottom_divider_style=&#8221;asymmetric2&#8243; bottom_divider_color=&#8221;rgba(0,0,0,0)&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;30px|0px|16px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_button button_url=&#8221;https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=eu&#8221; 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module_id=&#8221;indice&#8221; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;10px|0px|17px|0px|false|false&#8221;][et_pb_row column_structure=&#8221;1_2,1_2&#8243; admin_label=&#8221;row&#8221; _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_padding=&#8221;0|0px|27.75px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; background_color=&#8221;#ffffff&#8221; max_width=&#8221;69%&#8221; max_width_tablet=&#8221;&#8221; max_width_phone=&#8221;&#8221; max_width_last_edited=&#8221;on|phone&#8221; custom_margin=&#8221;0px||9px|&#8221; custom_padding=&#8221;10px|35px|9px|34px&#8221; border_radii=&#8221;on|15px|15px|15px|15px&#8221; border_width_all=&#8221;2px&#8221; border_color_all=&#8221;rgba(0,0,0,0.1)&#8221;]<\/p>\n<blockquote><p><span style=\"font-size: x-large; color: #0f0f0f;\">INDEX<\/span><\/p><\/blockquote>\n<ul>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#introduccion\"><strong> <span style=\"color: #0f0f0f;\">Introduction<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#video\"><strong> <span style=\"color: #0f0f0f;\">Video<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#360\"><strong> <span style=\"color: #0f0f0f;\">360\u00ba Images<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#hallazgo\"><strong> <span style=\"color: #0f0f0f;\">The chapel of the Ordo\u00f1anas<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#hallazgo\"><strong> <span style=\"color: #0f0f0f;\">Old photographs<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#contenido\"><strong> <span style=\"color: #0f0f0f;\">The church of Our Lady of the Assumption<\/span> <\/strong><\/a><\/span><\/li>\n<li><span style=\"font-size: large;\"><a href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en#localizacion\"><strong> <span style=\"color: #0f0f0f;\">Location<\/span> <\/strong><\/a><\/span><\/li>\n<\/ul>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text module_id=&#8221;intro&#8221; _builder_version=&#8221;4.2&#8243; text_font=&#8221;||||||||&#8221; custom_padding=&#8221;0px|||&#8221; border_style=&#8221;solid&#8221; inline_fonts=&#8221;Abhaya Libre&#8221;]<\/p>\n<blockquote>\n<h2><span style=\"font-size: x-large;\"><span style=\"color: #000000; font-family: inherit; font-weight: normal;\"><strong>Introduction<\/strong><\/span><\/span><\/h2>\n<\/blockquote>\n<p><span style=\"color: #000000; font-family: inherit; font-weight: normal; font-size: large;\">Ordo\u00f1ana is strategically located on the Alavese Plains, halfway between Zalduondo and Agurain\/Salvatierra. Therefore, its history has run parallel to the commercial and pilgrimage routes that have crossed the province. It is mentioned in the document Reja de San Mill\u00e1n (11th century), so we are facing a town of great antiquity. In 1332, it became part of the town of Salvatierra, as a result of the Voluntaria Entrega encouraged by the King Alfonso XI, a town with which it maintained historical tensions. Ordo\u00f1ana was also head of the Brotherhood of San Mill\u00e1n or Egu\u00edlaz, origin of the current town of San Mill\u00e1n\/Donemiliaga, whose see is in the town under discussion. From this historical importance derives the existence of the lineage of the House of Herdo\u00f1ana, a family related to the Guevara and the Oc\u00e1riz families, and that prospered in a considerable way, which has left a deep mark on its heritage.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#ffffff&#8221; module_id=&#8221;video&#8221; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;#dbdbdb&#8221; custom_padding=&#8221;122px|0px|0|0px|false|false&#8221; top_divider_style=&#8221;wave&#8221; top_divider_height_tablet=&#8221;&#8221; top_divider_height_phone=&#8221;39px&#8221; top_divider_height_last_edited=&#8221;on|phone&#8221;][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<blockquote>\n<h2><strong>Video<\/strong><\/h2>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; 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align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243; max_width=&#8221;13%&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#dbdbdb&#8221; module_id=&#8221;360&#8243; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;#adadad&#8221; custom_padding=&#8221;55.5156px|0px|72px|0px|false|false&#8221; top_divider_style=&#8221;wave&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; text_font=&#8221;||||||||&#8221; background_layout=&#8221;dark&#8221;]<\/p>\n<blockquote>\n<h1><span style=\"color: #fcfcfc; font-size: x-large;\">360\u00ba images<\/span><\/h1>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<script src=\"https:\/\/static.kuula.io\/embed.js\" data-kuula=\"https:\/\/kuula.co\/share\/7v3Fj?fs=1&#038;vr=0&#038;zoom=1&#038;sd=1&#038;thumbs=1&#038;hideinst=1&#038;chromeless=0&#038;logo=0\" data-width=\"100%\" data-height=\"640px\"><\/script>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<script src=\"https:\/\/static.kuula.io\/embed.js\" data-kuula=\"https:\/\/kuula.co\/share\/7v3FV?fs=1&#038;vr=0&#038;zoom=1&#038;sd=1&#038;thumbs=1&#038;hideinst=1&#038;chromeless=0&#038;logo=0\" data-width=\"100%\" data-height=\"640px\"><\/script>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;57px|0px|0|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2018\/05\/flecha-up-blanco.png&#8221; url=&#8221;https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en\/#indice&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243; max_width=&#8221;13%&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; prev_background_color=&#8221;#adadad&#8221; next_background_color=&#8221;#6d6d6d&#8221; module_id=&#8221;hallazgo&#8221; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;#e0e0e0&#8243; custom_padding=&#8221;79px|0px|31px|0px|false|false&#8221; top_divider_style=&#8221;wave&#8221; top_divider_height=&#8221;91px&#8221; bottom_divider_style=&#8221;wave&#8221;][et_pb_row column_structure=&#8221;1_3,2_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;41px|0px|1px|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; text_font=&#8221;||||||||&#8221; background_layout=&#8221;dark&#8221; custom_padding=&#8221;0px||0px|&#8221;]<\/p>\n<blockquote>\n<h2><span style=\"font-size: x-large;\"><strong><span style=\"color: #0c0c0c;\">The chapel of the Ordo\u00f1anas<\/span><\/strong><\/span><\/h2>\n<p><span style=\"color: #0c0c0c;\">In 1615, Don Pedro Ruiz de Ordo\u00f1ana founded a large chapel dedicated to Saint Anthony, which opens out over the north wall of the church. Under the access arch, possibly relocated, we see the praying sculpture of the founder, who is shown kneeling on large pillows decorated in the Renaissance taste. He is dressed with a doublet, fitted tightly by a belt, a short cape and a ruff, which show the high social status of this personality. On the pediment that gives access to the chapel, the great coat of arms of the \u201cHordonana\u201d is framed, showing the power of this family and its involvement with the church, to which they gave considerable amounts of money. As an inscription on the chapel reminds us, Don Pedro was born in Ordo\u00f1ana, but he later became \u201cMexican resident\u201d, where he amassed a great fortune. The room is completed with the Romanist altarpiece dedicated to Saint Anthony, a beautiful work that was financed by Juan Ruiz de Ordo\u00f1ana and that is located in the sphere of the sculptor from Salvatierra Lope de Larrea.<\/span><\/p><\/blockquote>\n<p>[\/et_pb_text][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8830.jpg&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;2_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; custom_margin=&#8221;|||&#8221; custom_padding=&#8221;23px|||&#8221;]<span style=\"font-size: x-large;\"><span style=\"color: #000000;\"><strong>Old photographs<\/strong><\/span><\/span><\/p>\n<p><span style=\"color: #000000; font-size: medium;\">In the case of Ordo\u00f1ana, we do not have old photographs that provide us with relevant information. The ones that were preserved show us a church that has not undergone major transformations recently. In one of the overviews we can see a stone structure located in the south wall, over the facade, which was used to hide the weights of the clock and that has now disappeared. Except for these details, the photographs show that the church has not substantially changed its appearance during the last decades.<br \/><\/span><\/p>\n<p>\u00a0[\/et_pb_text][et_pb_gallery gallery_ids=&#8221;11623,11617,11620,11614&#8243; posts_number=&#8221;6&#8243; orientation=&#8221;portrait&#8221; show_title_and_caption=&#8221;off&#8221; zoom_icon_color=&#8221;#000000&#8243; _builder_version=&#8221;4.2&#8243; title_font_size=&#8221;12px&#8221; caption_font=&#8221;||on||||||&#8221; caption_text_color=&#8221;#000000&#8243; caption_font_size=&#8221;14px&#8221; caption_line_height=&#8221;19px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;0px|||&#8221; custom_padding=&#8221;0px|||&#8221; filter_invert=&#8221;12%&#8221; filter_sepia=&#8221;30%&#8221;][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;23px|0px|51px|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2018\/05\/flecha-up-negro.png&#8221; url=&#8221;https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en\/#indice&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243; max_width=&#8221;13%&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_id=&#8221;contenido&#8221; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;#6d6d6d&#8221; custom_margin=&#8221;-13px|||||&#8221; custom_padding=&#8221;30px|0px|32px|0px|false|false&#8221; bottom_divider_height=&#8221;62px&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;0|0px|34px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; text_font=&#8221;||||||||&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;99%&#8221; module_alignment=&#8221;center&#8221;]<\/p>\n<blockquote>\n<h1><span style=\"font-size: x-large; color: #ffffff;\"><strong>The church of Our Lady of the Assumption<br \/><\/strong><\/span><\/h1>\n<\/blockquote>\n<p><span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\"><\/span><\/strong><\/span><\/p>\n<p><span style=\"font-size: medium; color: #ffffff;\">A careful inspection of the walls of the church of Ordo\u00f1ana provides us with important hints about its origin. The building we are contemplating is a good work of the second half of the 16th century, with the straight east end that houses the altarpiece and the large buttresses that, from the outside, herald impressive vaults. Nevertheless, the loss of exterior renderings allows us to see numerous remains of the old Romanesque manufacturing: some randomly arranged, as fillers, others in a more harmonious way, such as the bead mouldings that simulate a crenel. <\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-12px|auto||auto||&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_9208.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243; width=&#8221;99%&#8221;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_9229.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;|auto|14px|auto||&#8221; custom_padding=&#8221;3.6px|0px|22px|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_9226.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_9211.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_9219.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;0|0px|34px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; text_font=&#8221;||||||||&#8221; background_layout=&#8221;dark&#8221; max_width=&#8221;99%&#8221; module_alignment=&#8221;center&#8221;]<\/p>\n<blockquote><\/blockquote>\n<p><span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\"><\/span><\/strong><\/span><\/p>\n<p><span style=\"font-size: medium; color: #ffffff;\">The existence of the Romanesque building is confirmed as we reach the portico, where a notable medieval facade appears, which could date from the late 12th century or the beginnings of the 13th century. It is made up of five archivolts in whose voussoirs we see enigmatic faces that are difficult to interpret, some of them blurred under numerous paint layers. Three of the archivolts are decorated with the characteristic checkered design that became so well-known during these centuries. <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-12px|auto||auto||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8874.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.0.9&#8243; width=&#8221;99%&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;3_5,2_5&#8243; _builder_version=&#8221;4.0.9&#8243;][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;4.0.9&#8243;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8883.jpg&#8221; _builder_version=&#8221;4.0.9&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;4.0.9&#8243;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8879.jpg&#8221; align=&#8221;center&#8221; _builder_version=&#8221;4.0.9&#8243; max_width=&#8221;68%&#8221; min_height=&#8221;207px&#8221; max_height=&#8221;1000px&#8221;][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; next_background_color=&#8221;#d3d3d3&#8243; module_id=&#8221;contenido&#8221; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;rgba(109,109,109,0.77)&#8221; custom_padding=&#8221;17px|0px|51px|0px|false|false&#8221; bottom_divider_style=&#8221;wave&#8221; bottom_divider_height=&#8221;62px&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;33.65px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\">Inside the temple<br \/>\n<\/span><\/strong><\/span><\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">Once inside the building, the great vaults with tiercerons amaze us, which draw two huge crosses. The ribs rest on moulded corbels, some of which contain balls, a common feature of these works of the 16th century. At least part of the vaults were made by the stonemason Ramiro de Oc\u00e1riz, who also worked in the churches of Oc\u00e1riz and Luzuriaga.<br \/>\n<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;33.65px|0px|22px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8826.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8871.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;33.65px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\">The choir<br \/><\/span><\/strong><\/span><\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">The construction of the choir was carried out at the end of the 16th century, a usual liturgical element in the churches built during this period. It might have an important connection with the building of the chapel of the Ordo\u00f1anas, the main benefactors, although the stored data does not allow us to confirm it. The rich parapet, the fluted pilasters, and, above all, the vault that covers the area below the choir, show the interest of their patrons in achieving a high quality work. The vault is finished with a magnificent keystone in which the Virgin with the Child is represented surrounded by rays.<br \/><\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; min_height=&#8221;332px&#8221; custom_padding=&#8221;33.65px|0px|12px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8864.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8858-1.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;33.65px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\">The choir in 360\u00ba<br \/><\/span><br \/>\n<script src=\"https:\/\/static.kuula.io\/embed.js\" data-kuula=\"https:\/\/kuula.co\/share\/7v3Jm?fs=1&#038;vr=0&#038;zoom=1&#038;sd=1&#038;thumbs=1&#038;hideinst=1&#038;chromeless=0&#038;logo=0\" data-width=\"100%\" data-height=\"640px\"><\/script>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;33.65px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"font-size: medium;\"><strong><span style=\"color: #ffffff;\">The altarpiece<br \/><\/span><\/strong><\/span><\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">Under a simple vault of lunettes, in a specifically designed niche, stands the impressive altarpiece dedicated to the Assumption of the Virgin. It is a work of the first half of the 17th century that, from what is deduced from the ledgers, replaces an earlier altarpiece that might have been made by Juan Ruiz de Luzuriaga and Pedro de Ercilla, son of the renowned sculptor Lope de Larrea. The work of the current furniture started in 1639, led by the architect Miguel de Zozaya and the sculptors Diego de Mayora and Juan P\u00e9rez de Mezquia. <br \/><\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;33.65px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8824.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;20.6px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">The Evangelists are represented on the predella, accompanied by the Fathers of the Church, all of them with their characteristic attributes. In the centre, there is a double tabernacle with the image of the Resurrected Christ on the front, flanked by Moses and Elijah. <br \/> <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;33.65px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8839.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8841.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;42.6px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8838-1.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;15.6px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">On the first of the panels of the altarpiece, two big pigeonholes house the figures of Saint Peter, with the keys that identify him, and Saint Paul, holding a long sword. <br \/> <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;33.65px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8842.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8843.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;8px|auto||auto||&#8221; custom_padding=&#8221;20.6px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"font-size: medium;\"><span style=\"color: #ffffff;\">Over this panel stands another strip in which some interesting reliefs of the Fortitude (bearing a column) and the Temperance (pouring water into wine) appear, which are complemented with the strip immediately above, where we see the effigies of the Prudence and the Justice (with a scale).<\/span><\/span><\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">The main panel houses the niche with the image of the Assumption, a carving of high sculptural quality, accompanied with Saint John the Baptist and Saint Joseph with the Child. <br \/> <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;33.65px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8848.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8846.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;41.6px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">The altarpiece ends with an attic in which the Calvary scene stands out, crowned by a pediment from which the figure of the Eternal Father emerges holding the globe. On both sides of the Crucifixion, we find the main representatives of the mendicant orders that still had great power in the province: Saint Dominic and Saint Francis.<br \/> <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.25&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;33.65px|0px|3px|0px|false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8850.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_2,1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;41.6px|0px|15px|0px|false|false&#8221;][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<p><span style=\"color: #ffffff; font-size: medium;\">Finally, before getting out of the temple, it is worth paying attention to the stoup. When the Renaissance aquamanile of the sacristy was dismantled, they had the nice idea of relocating some of its remains around the stoup. We see an orant, accompanied with an angel that holds a column, next to a female figure framed in a scallop shell that could be identified as the Faith. Although the work has lost its original meaning, its relocation in year 1700 lets us still contemplate these beautiful stone sculptures. <br \/> <\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2020\/01\/IMG_8854.jpg&#8221; show_in_lightbox=&#8221;on&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;23px|0px|29px|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2018\/05\/flecha-up-blanco.png&#8221; url=&#8221;https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en\/#indice&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243; max_width=&#8221;13%&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; module_id=&#8221;localizacion&#8221; _builder_version=&#8221;3.22.3&#8243; background_color=&#8221;#d3d3d3&#8243; custom_padding=&#8221;37px|0px|33px|0px|false|false&#8221;][et_pb_row column_structure=&#8221;1_4,3_4&#8243; _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;1_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243;]<\/p>\n<blockquote>\n<h1><span style=\"font-size: large;\">Location<\/span><\/h1>\n<\/blockquote>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; text_orientation=&#8221;center&#8221; text_text_align=&#8221;center&#8221;]<iframe loading=\"lazy\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d2923.9507650055416!2d-2.378987434527351!3d42.873883329155724!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0xd50222be7e227fd%3A0xcb8a37ccdb3845d7!2sIglesia%20de%20Erdo%C3%B1ana!5e0!3m2!1ses!2ses!4v1579606078356!5m2!1ses!2ses\" width=\"600\" height=\"450\" frameborder=\"0\" style=\"border:0;\" allowfullscreen=\"\"><\/iframe>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;1_3,1_3,1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;35px|0px|9px|0px|false|false&#8221;][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/alavamedieval.com\/wp-content\/uploads\/2018\/05\/flecha-up-negro.png&#8221; url=&#8221;https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/?lang=en\/#indice&#8221; align=&#8221;center&#8221; align_tablet=&#8221;center&#8221; align_phone=&#8221;&#8221; align_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.2&#8243; max_width=&#8221;13%&#8221; hover_enabled=&#8221;0&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_3&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.22.3&#8243; custom_padding=&#8221;0|0px|7px|0px|false|false&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_text _builder_version=&#8221;4.2&#8243; custom_padding=&#8221;||0px|||&#8221;]<\/p>\n<p><strong>Cr\u00e9ditos fotogr\u00e1ficos:<\/strong><\/p>\n<p><em>De las fotograf\u00edas actuales<\/em>: \u00a9 Alava Medieval \/ Erdi Aroko Araba<\/p>\n<p><em>De las fotograf\u00edas antiguas<\/em>: Archivo del Territorio Hist\u00f3rico de \u00c1lava<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<span class=\"et_bloom_bottom_trigger\"><\/span>","protected":false},"excerpt":{"rendered":"<p>This building is a good work of the second half of the 16th century. Nevertheless we can find numerous remains of the old Romanesque manufacturing.The existence of the Romanesque building is confirmed as we reach the portico, where a notable medieval facade appears, which could date from the late 12th century or the beginnings of the 13th century.<\/p>\n","protected":false},"author":1,"featured_media":11471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","jetpack_post_was_ever_published":false,"footnotes":""},"categories":[113,146,112],"tags":[],"class_list":["post-11867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-irekia-en","category-romanico","category-way-saint-james"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The church of Our Lady of the Assumption in Ordo\u00f1ana - \u00c1lava Medieval \/ Erdi Aroko Araba<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alavamedieval.com\/iglesia-de-nuestra-senora-de-la-asuncion-de-ordonana\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The church of Our Lady of the Assumption in Ordo\u00f1ana - \u00c1lava Medieval \/ Erdi Aroko Araba\" \/>\n<meta property=\"og:description\" content=\"This building is a good work of the second half of the 16th century. 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